remember what I said about shrinkage with clay? Well this one I knew was going to be wee.
I normally lean toward pieces with feet, glazed in something with a bit of blue, and this piece has neither. I am pleased with the balance, both shape and weight wise, but also with the glaze.
The first dip of glaze is cream, which is a soft semi matte, with a bit of a velvety hand to it. Interestingly it broke a bit reddish brown (shino-y) where it was heavy. Then I dipped the room in moss, which alone is a complex brown-green semi matte. Through the magic of chemistry, not only did the overlap come out glossy and somewhat translucent, but it ran a frosty baby blue at the lightest application.
Glaze is not like paint where red and blue pigments make purple. The components of glaze change chemically in the kiln as they melt and attach themselves to the clay body, and when you combine two glazes they interact with each other as well. Even there color of the glaze when dipped doesn't necessarily correlate to the color when fired. So instead of red plus blue equals purple, it's more like bathtub plus lunchbox equals telephone.